Reviews.
Terminal City

 
 

Review by Alan Hindle
September 17 - 23, 2004
How I Learned to Drive

In some small town hick universe, Little Bit, as she is known in her nickname-obsessed family has bigger problems that a nickname-obsessed family. In this inbred family, pedolphilia doesn't register as quite wrong. Little Bit, however, as she grows up, is coming to the realization something is very wrong indeed. Holy cats, was my preview ever out on this one! What was I doing talking about robotic German toilets? (However true that story might be.) Ian Alexander Martin, a local actor, and editor of TheBoards.ca tells me there is some umbrage taken amongst the acting community with a couple of my previews. The only one I wish to clear up is this one, because the show is not one to make light with. Drive is a simmering pot of incest and subverted violence. Allan Morgan, whom I've never rated before, is disturbing and utterly believable as he steadily unrolls the winding, searching logic of the pedophile. Wow, he's good. Spooky. He's like the Cheshire Cat and Gollum stuffed into a pair of Khaki slacks. Apparently, this script has been around forever and is done all the time. I've never heard of it before, so I am going to rate it by my own affectation, one and a half pints.

(The pint system is a reverse point system. One pint is good, five pints is bad.)